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August 9th, 2010 05:07 PM |
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GO SEE / INSPIRED
AT / STEVEN KASHER GALLERY
THROUGH / AUGUST 13, 2010
Steven Kasher Gallery is pleased to announce Inspired, a group exhibition curated by Beth Rudin DeWoody. The exhibition will present contemporary photographs inspired by iconic photographs. The show includes over 30 well-known and emerging international artists.
This exhibition is both a celebration of the influence of the iconic work, a testimony to the extraordinary image in our era of image glut. The show is also replete with generational rebellion and revenge. We see powerful transformations of the motifs, gestures, and techniques of the past into contemporary themes and timely connotations. More at STEVEN KASHER GALLERY.
Go before it's gone!
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steven kasher gallery, beth rudin dewoody, eric kroll |
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August 4th, 2010 08:32 AM |
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GO SEE / RICHARD DIEBENKORN
PAINTINGS AND WORKS ON PAPER 1949 -1955
AT / GREENBERG VAN DOREN GALLERY
THROUGH / JUNE 25TH 2010
via GvDG Greenberg Van Doren Gallery is pleased to present an exhibition of paintings and works on paper from 1949 – 1955 by Richard Diebenkorn (1922 – 1993). Organized in cooperation with the Estate of Richard Diebenkorn, this exhibition will feature thirty-sixworks many of which, until now, have only been seen in museum exhibitions including the 1988-89 MoMA show The Drawings of
Richard Diebenkorn and the Harwood Museum of Art’s Richard Diebenkorn in New Mexico from 2007-08.
Diebenkorn’s early works from the late 40s through the mid 50s are among the finest examples of postwar American abstraction. Characterized by calligraphic lines and shifting fields of color, these works reflect both the broader interest in abstraction shared among many artists of the period and the diverse landscapes in which Diebenkorn lived during these years. Diebenkorn left Sausalito,
California in 1949 to pursue his graduate degree in art at the University of New Mexico in Albuquerque. In 1952 he moved again to Urbana, Illinois to teach and then, in 1952, returned to California where he settled in Berkeley. Each new surrounding provoked a change in the artist’s palette and in the overall rhythm of his compositions.
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Richard Diebenkorn, Greenberg Van Doren Gallery |
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GO SEE / PICTURES BY WOMEN
A HISTORY OF MODERN PHOTOGRAPHY
THROUGH / MARCH 2011
AT THE / MOMA
via MoMA For much of photography’s 170-year history, women have expanded its roles by experimenting with every aspect of the medium. Pictures by Women: A History of Modern Photography presents a selection of outstanding photographs by women artists, charting the medium’s history from the dawn of the modern period to the present. Including over two hundred works, this exhibition features celebrated masterworks and new acquisitions from the collection by such figures as Diane Arbus, Berenice Abbott, Claude Cahun, Imogen Cunningham, Rineke Dijkstra, Florence Henri, Roni Horn, Nan Goldin, Helen Levitt, Lisette Model, Lucia Moholy, Tina Modotti, Cindy Sherman, Kiki Smith, and Carrie Mae Weems, among many others. The exhibition also highlights works drawn from a variety of curatorial departments, including Bottoms, a large-scale Fluxus wallpaper by Yoko Ono.
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TAGS:
moma, diane arbus, nan goldin, cindy sherman, kiki smith, , yoko ono |
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GO SEE / LINDER STERLING AND JON SAVAGE
SECRET PUBLIC / PUNK MONTAGES,
PHOTOGRAPHY AND COLLAGES 1976-1981
AT / BOO-HOORAY AT STEVEN KASHER GALLERY
THROUGH / MAY 23 2010
View selected worked from the exhibition at BOO-HOORAY.
Below– an excerpt from Linder in "The Secret Public".
"I remember the pure pleasure of photomontage. I had spent three years working with pencil, paint and pen trying to translate lived experience into made marks. It was a moment of glorious liberation to work purely with a blade, glass and glue. Almost a scientific methodology. Sitting in a dark room in Saltford, performing cultural postmortems and then reassembling the corpses badly, like a Mary Shelley trying to breathe life into the monster. For a short period I'd found a perfect mode of articulation.
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boo-hooray, steven kasher gallery, linder sterling, jon savage, punk |
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NARCISSISTER / THIS MASQUERADE
THE KITCHEN / MAY 14-15 / 8PM
Narcissister is known for her absurd and playful neo-burlesque vignettes that explore the relationships between race, gender and sexuality– masked of course. For "This Masquerade", the woman behind the mask offers up a complex and riotous critique of popular culture's spurious ideas about black femininity. For more on Miss Narcissister– head to NARCISSISTER.com.
Also on the radar for May 14-15 is Visual and performance artist Derrick Adams. Adams will present the premiere of Go Stand Next To The Mountain, a suite of live performances exploring the complex relationships between man and monuments– with an original music score and a live DJ.
Head to THE KITCHEN for further details and to pick up tickets.
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TAGS:
narcissister, burlesque, avant garde, the kitchen |
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DELUXX FLUXX
BRINGS BACK THE VIDEO ARCADE
PLAY AT YOUR OWN RISK
What do you get when Brooklyn-based duo Faile and collaborator Bast take over a disused store front on the Lower East Side? DELUXX FLUXX, a functional video arcade is will be open to the public from 3-11pm Tuesday through Sunday until May 27th.
Originally conceived as a one-off project in London, Deluxx Fluxx allowed Faile and Bast to indulge nostalgia for the classic video arcade while exploring the tactile possibilities of the wooden cabinet as sculptural medium. In its New York incarnation, the retrofitted machines run new games by Adapted Studio based on Faile and Bast's omnivorous visual language, with sounds produced by Seth Jabour of the noted band Les Savy Fav.
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deluxx fluxx, faile & bast, seth jabour, les savy fav, new york |
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NEW YORK GALLERY WEEK
MAY 7 THROUGH 10
New York Gallery Week, a new initiative organized collectively by 50 Manhattan-based contemporary art galleries and 7 not-for- profits – spanning Chelsea, SoHo, the Lower East Side/Bowery, the Upper East Side, and 57th Street – will launch its first annual program this weekend.
With a shared desire to refocus the art world’s attention toward the city’s longstanding exceptional gallery programming, a group of emerging and established galleries have come together with a mission to put the spotlight back on the galleries and the artists.
At its core, NYGW 2010 is a presentation of over 50 solo gallery exhibitions, along with an unprecedented concentration of scores of free events and programs, the majority taking place inside the galleries themselves.
Head to NEW YORK GALLERY WEEK to view the participating galleries and to view the events and programming schedule. CLICK HERE to download the schedule.
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TAGS:
new york, gallery week, luhring augustine, christopher wool |
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.jpg)
POSTER CHILD
V MAGAZINE / NO. 65
PHOTOGRAPHY / GLEN LUCHFORD
FASHION EDITOR / BETH FENTON
ART / MARIO BROTHA / THE BOYS COLLECTIVE
MODELS / DAISY LOWE, LEA GROESLAND, TAO OKAMOTO
New York art group The Boys Collective explores the surface of the fashion image by cutting collaging and setting fire to models Daisy Lowe, Lea Groesland, Tao Okamoto featured along with archival imagery of supermodels Kristen McMenamy, Kate Moss and the fabulous Steve Buscemi.
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v magazine, glen luchford, starworks |
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.jpg)
NUDE, GREEN LEAVES AND BUST
PABLO PICASSO / 1932
The portrait of Picasso’s mistress Marie-Thérèse Walter, titled Nude, Green Leaves and Bust, became the most expensive work of art ever to sell at auction when it realized $106.5 million at Christie’s Impressionist and Modern Art Tuesday evening sale. Acquired by the late Mr. and Mrs. Sidney Brody in the early 50's for less than $20,000 and only exhibited publicly once – the portrait has become one of the most sought after works on the market. The exquisite painting was estimated to sell for $70-90 million. After a bidding war – an anonymous client triumphed via telephone.
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TAGS:
picasso, christies, art |
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